‘THE FOUR SEASONS’
2023
PROJECT FOR THE SAINT-GUMMARUS CHURCH IN EMBLEM, RANST (BE)
TWENTY-TWO GLASS WINDOWS IN TWO LAYERS PAINTING WITH ENAMEL AND SANDBLASTING ON FLOAT GLASS IN THERMOPANE
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: 10X 280CM-120CM -SIDES-STAIRS
6X 210CM-120CM -SHIP HIGH
2X 220CM-120CM -CHOIR SMALL
4X 420CM_120CM -CHOIR BIG
During the restoration of the Saint-Gummarus Church in Emblem, it became evident how the church came to life under the additional light after the old windows were removed.
The need for more brightness was clear. The final result is a dynamic, contemporary design that engages in a subtle dialogue between the delicate lines and the surrounding space.
For the design, I chose a bright and open approach that connects the old and the new, inspired by ‘The four Seasons’. This design takes into account the entire building; the pattern seems to extend beyond the edges off the existing windows, embracing the entire architecture.
In this way, the artwork appears larger than the building itself, becoming one with the environment and part of a greater whole.
The lines in the windows collectively form a new, circular movement throughout the church, with the seasons subtly woven into it.
The choice of seasons is symbolic; they represent not only the transformation of life but also the circle of the day.
The monumental, abstract and understated design, together with the movement of light, invites the viewer to reflect and contemplate.
2023
PROJECT FOR THE SAINT-GUMMARUS CHURCH IN EMBLEM, RANST (BE)
TWENTY-TWO GLASS WINDOWS IN TWO LAYERS PAINTING WITH ENAMEL AND SANDBLASTING ON FLOAT GLASS IN THERMOPANE
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: 10X 280CM-120CM -SIDES-STAIRS
6X 210CM-120CM -SHIP HIGH
2X 220CM-120CM -CHOIR SMALL
4X 420CM_120CM -CHOIR BIG
During the restoration of the Saint-Gummarus Church in Emblem, it became evident how the church came to life under the additional light after the old windows were removed.
The need for more brightness was clear. The final result is a dynamic, contemporary design that engages in a subtle dialogue between the delicate lines and the surrounding space.
For the design, I chose a bright and open approach that connects the old and the new, inspired by ‘The four Seasons’. This design takes into account the entire building; the pattern seems to extend beyond the edges off the existing windows, embracing the entire architecture.
In this way, the artwork appears larger than the building itself, becoming one with the environment and part of a greater whole.
The lines in the windows collectively form a new, circular movement throughout the church, with the seasons subtly woven into it.
The choice of seasons is symbolic; they represent not only the transformation of life but also the circle of the day.
The monumental, abstract and understated design, together with the movement of light, invites the viewer to reflect and contemplate.
‘FLOW’
2020
PROJECT FOR AN APARTMENT BUILDING, PADERBORN (DE)
FRONT PANELS IN SCREEN PRINT ON FLOAT GLASS
This project was titled ‘FLOW’ and features a design of flowing, rhythmic vertical blue lines.
These lines bring movement and dynamism to the clean architecture, making the whole space come to life.
2020
PROJECT FOR AN APARTMENT BUILDING, PADERBORN (DE)
FRONT PANELS IN SCREEN PRINT ON FLOAT GLASS
This project was titled ‘FLOW’ and features a design of flowing, rhythmic vertical blue lines.
These lines bring movement and dynamism to the clean architecture, making the whole space come to life.
‘CONNECTION’
2019-2020
PROJECT FOR THE BELGIUM LOUNGE IN PADERBORN UNIVERSITY
PADERBORN (DE)
THREE GLASS WINDOWS, PRINT SCREEN AND SAND BLASTING ON FLOAT GLASS IN THERMOPANE
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: H276cm-Br245cm 3X
This design was created for the ‘BELGIUM LOUNGE’, a space in the University of Paderborn, that bridges the old building with the new.
My inspiration was connection, not only between the two buildings but also between the visitors and students.
The interplay of lines establishes a link between the windows themselves and the architecture.
The design, with its dynamic movement, contrasts with the static vertical lines, creating a dialogue between motion and stability.
It invites the students to move, connect and engage.
2019-2020
PROJECT FOR THE BELGIUM LOUNGE IN PADERBORN UNIVERSITY
PADERBORN (DE)
THREE GLASS WINDOWS, PRINT SCREEN AND SAND BLASTING ON FLOAT GLASS IN THERMOPANE
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: H276cm-Br245cm 3X
This design was created for the ‘BELGIUM LOUNGE’, a space in the University of Paderborn, that bridges the old building with the new.
My inspiration was connection, not only between the two buildings but also between the visitors and students.
The interplay of lines establishes a link between the windows themselves and the architecture.
The design, with its dynamic movement, contrasts with the static vertical lines, creating a dialogue between motion and stability.
It invites the students to move, connect and engage.
‘BETWEEN SPACES’
2018
PROJECT FOR A PRIVATE HOME
BONHEIDEN (BE)
SIX PANELS IN SANDBLASTING AND ENAMEL ON FLOATGLASS
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: H2m-Br50cm 3X
H2m-Br40cm 2X
H2m-Br30cm 1X
Six panels were designed for a private residence, with inspiration drawn from sketches of the garden. This creates a seamless interaction between the interior and the exterior. The individual panels are connected like links in a chain and can be rearranged or removed, allowing for different compositions or configurations. This flexibility makes the design adaptable to the homeowner’s needs while maintaining a connection to the surrounding environment.
2018
PROJECT FOR A PRIVATE HOME
BONHEIDEN (BE)
SIX PANELS IN SANDBLASTING AND ENAMEL ON FLOATGLASS
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: H2m-Br50cm 3X
H2m-Br40cm 2X
H2m-Br30cm 1X
Six panels were designed for a private residence, with inspiration drawn from sketches of the garden. This creates a seamless interaction between the interior and the exterior. The individual panels are connected like links in a chain and can be rearranged or removed, allowing for different compositions or configurations. This flexibility makes the design adaptable to the homeowner’s needs while maintaining a connection to the surrounding environment.
‘ABOVE WATER’
2019
PROJECT FOR THE ORANGERY OF THE SAINT JOHN’S COLLEGE
MELDERT, HOEGAARDEN (BE)
GLASS WINDOWS IN TWO LAYERS WITH PAINTING ENAMEL ON FLOAT GLASS IN THERMOPANE
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: Frontside windows 3,05-5,07 5X
Neogotic windows 1,46-2,8 4X
Curved windows 3,45-3,3 2X
During the restoration of the unique Orangery by Hendrik Beyaert, located on the grounds of the Saint-John’s College in Meldert, Hoegaarden, the idea emerged to add something new to this remarkable building from 1867.
A contemporary touch was introduced through stained glass windows, creating a connection between the old and the new.
For inspiration, i turned to water and movement, reflecting the ponds in the park, the untamed natural surroundings, and the dynamic, lively energy of the school itself. This led to a design dominated by shades of blue and green, evoking water ripples that form when something touches the surface. The concept symbolizes how small actions can lead to something much greater, a metaphor for the educational journey within the school. The design encompasses the entire building. The windows are too small to contain it, and the pattern flows beyond their edges, wrapping around the structure. It extends through the old gothic side windows and reaches all the way to the grand gates.
The artwork transcends the building, becoming an integral part of the surrounding environment.
2019
PROJECT FOR THE ORANGERY OF THE SAINT JOHN’S COLLEGE
MELDERT, HOEGAARDEN (BE)
GLASS WINDOWS IN TWO LAYERS WITH PAINTING ENAMEL ON FLOAT GLASS IN THERMOPANE
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: Frontside windows 3,05-5,07 5X
Neogotic windows 1,46-2,8 4X
Curved windows 3,45-3,3 2X
During the restoration of the unique Orangery by Hendrik Beyaert, located on the grounds of the Saint-John’s College in Meldert, Hoegaarden, the idea emerged to add something new to this remarkable building from 1867.
A contemporary touch was introduced through stained glass windows, creating a connection between the old and the new.
For inspiration, i turned to water and movement, reflecting the ponds in the park, the untamed natural surroundings, and the dynamic, lively energy of the school itself. This led to a design dominated by shades of blue and green, evoking water ripples that form when something touches the surface. The concept symbolizes how small actions can lead to something much greater, a metaphor for the educational journey within the school. The design encompasses the entire building. The windows are too small to contain it, and the pattern flows beyond their edges, wrapping around the structure. It extends through the old gothic side windows and reaches all the way to the grand gates.
The artwork transcends the building, becoming an integral part of the surrounding environment.
‘PLAYTIME’
2019
PROJECT FOR ‘THE MUNICIPAL PRIMARY SCHOOL’, GIERLE (BE)
FIVE GLASS WINDOWS IN SCREEN-PRINTING ON FLOAT GLASS IN THERMOPANE
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: 4X 143cm-443,5cm 1X 143cm-513,5cm
The heavily outdated buildings of the monastery in Gierle were demolished, with the exception of the chapel. A modern new building was constructed on the site for the municipal primary school, while the chapel was repurposed as a multifunctional space.
For the design of the five stained glass windows, I drew inspiration from the dynamism and spontaneity of children’s play and school life.
This is reflected in colorful circular movements that, during the day, create a connection with the outside world through the interplay of clouds. In the evening, when the windows are illuminated, they symbolize the village’s connection to its past.
2019
PROJECT FOR ‘THE MUNICIPAL PRIMARY SCHOOL’, GIERLE (BE)
FIVE GLASS WINDOWS IN SCREEN-PRINTING ON FLOAT GLASS IN THERMOPANE
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: 4X 143cm-443,5cm 1X 143cm-513,5cm
The heavily outdated buildings of the monastery in Gierle were demolished, with the exception of the chapel. A modern new building was constructed on the site for the municipal primary school, while the chapel was repurposed as a multifunctional space.
For the design of the five stained glass windows, I drew inspiration from the dynamism and spontaneity of children’s play and school life.
This is reflected in colorful circular movements that, during the day, create a connection with the outside world through the interplay of clouds. In the evening, when the windows are illuminated, they symbolize the village’s connection to its past.
‘LIGHT AND MOVEMENT’
2018
PROJECT FOR THE CURCH OF SAINT MARTIN MEISE (BE)
GLASS WINDOWS IN TWO LAYERS OF ANTIQUE GLASS, WITH SANDBLASTING AND LEAD STRIPS AND THE SECOND LAYER WITH PAINTING ENAMEL
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: CHOIR WINDOWS 5X 181,5cm - 324cm
WINDOWS ON THE ORGAN 2X 120cm-159cm 99,5cm-78,5cm
WEST WINDOW 1X 100cm-122cm
In the design for this church, I drew inspiration from the existing stained glass windows in the choir, which consist almost entirely of yellow hues created through silver stain painting. By using a similar color palette and incorporating lead lines, the new windows are harmoniously connected to the old ones, creating a unified whole.
The central theme of this project is ‘LIGHT AND MOVEMENT’. Dynamic flowing lines guide visitors through the church, linking all the windows into a cohesive narrative. This movement feels like a fresh breeze, enveloping and uplifting those who enter.
To add depth to the design, I worked with two layers of antique glass. The outer layer is sandblasted, with clear sections left open, while the inner layer features enamel painting in various tones. The clear lines in the sandblasted glass allow light to pass through freely, maintaining a connection with the outside world. This interplay of light creates an open, given free rein, moving effortlessly between the lines, offering an experience of serenity and contemplation.
2018
PROJECT FOR THE CURCH OF SAINT MARTIN MEISE (BE)
GLASS WINDOWS IN TWO LAYERS OF ANTIQUE GLASS, WITH SANDBLASTING AND LEAD STRIPS AND THE SECOND LAYER WITH PAINTING ENAMEL
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: CHOIR WINDOWS 5X 181,5cm - 324cm
WINDOWS ON THE ORGAN 2X 120cm-159cm 99,5cm-78,5cm
WEST WINDOW 1X 100cm-122cm
In the design for this church, I drew inspiration from the existing stained glass windows in the choir, which consist almost entirely of yellow hues created through silver stain painting. By using a similar color palette and incorporating lead lines, the new windows are harmoniously connected to the old ones, creating a unified whole.
The central theme of this project is ‘LIGHT AND MOVEMENT’. Dynamic flowing lines guide visitors through the church, linking all the windows into a cohesive narrative. This movement feels like a fresh breeze, enveloping and uplifting those who enter.
To add depth to the design, I worked with two layers of antique glass. The outer layer is sandblasted, with clear sections left open, while the inner layer features enamel painting in various tones. The clear lines in the sandblasted glass allow light to pass through freely, maintaining a connection with the outside world. This interplay of light creates an open, given free rein, moving effortlessly between the lines, offering an experience of serenity and contemplation.
‘THE EVANGELISTS’
2018
PROJECT FOR CHURCH OF SAINT-LAWRENCE
ANTWERP (BE)
TWO STAINED GLASS WINDOWS IN ETCHED ANTIQUE GLASS WITH LAYERS OF ANTIQUE GLASS AND SANDBLASTING
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: Br 2m- H 9m
The four evangelists, the four classical elements, and the four pillars that support the SaintLawrence Church served as the inspiration for my designs for the stained glass windows situated behind the church’s pillars.
On the northern side of the church is the window symbolizing ‘Matthew’ represented by the angel, which also evokes the heavenly.
It is crafted from etched, mouth-blown glass to achieve an intense, pure blue colour. To engage with the monumental architecture and emphasize the verticality of the nine-meter-hight windows, i incorporated a dynamic interplay of lines with a powerful upward movement.
The design for the second window, located on the southern side of the church, draws its inspiration from the evangelist ‘Luke’, represented by the bull, symbolizing strength. This window features a powerful interplay of lines in deep red, mouth-blown glass.
The movement of light through the wind creates a captivating interaction between the interior and exterior, as natural light dances across the vibrant colors and textures.
2018
PROJECT FOR CHURCH OF SAINT-LAWRENCE
ANTWERP (BE)
TWO STAINED GLASS WINDOWS IN ETCHED ANTIQUE GLASS WITH LAYERS OF ANTIQUE GLASS AND SANDBLASTING
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: Br 2m- H 9m
The four evangelists, the four classical elements, and the four pillars that support the SaintLawrence Church served as the inspiration for my designs for the stained glass windows situated behind the church’s pillars.
On the northern side of the church is the window symbolizing ‘Matthew’ represented by the angel, which also evokes the heavenly.
It is crafted from etched, mouth-blown glass to achieve an intense, pure blue colour. To engage with the monumental architecture and emphasize the verticality of the nine-meter-hight windows, i incorporated a dynamic interplay of lines with a powerful upward movement.
The design for the second window, located on the southern side of the church, draws its inspiration from the evangelist ‘Luke’, represented by the bull, symbolizing strength. This window features a powerful interplay of lines in deep red, mouth-blown glass.
The movement of light through the wind creates a captivating interaction between the interior and exterior, as natural light dances across the vibrant colors and textures.
‘BETWEEN THE LINES’
2017
PROJECT FOR THE CHURCH OF SAINT JOSEPH, MORETUSBURG HOBOKEN, ANTWERP (BE)
NINE GLASS WINDOWS IN TWO LAYERS OF GLASS WITH SANDBLASTING ON THE OUTSIDE AND PAINTING WITH ENAMEL ON THE INSIDE.
WORKOUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: 3 TRIPTYCHS 50cm-500cm 2X
50cm-570cm 1X
For the design of the nine stained glass windows, I drew inspiration from the three existing windows in the choir of the church, which depict Mary, Joseph and God. The three windows on the west site of the church are rendered in various shades of green, a color that represents
Joseph, but also symbolizes growth and birth. This choice ties in with the presence of baptismal font on that side.
The stained green lines rise upwards, further emphasizing the theme of growth.
On the east side of the church, I used blue tones for the three windows, symbolizing Mary and the heavenly, here too, the dynamic lines enhance the theme, with the movement reflecting the heavenly nature.
At the entrance of the church, the three red windows symbolize the divine and eternal life.
Each window consists of two panels, the outer layer features sandblasting with clear lines left open.These lines, along with the lead strips, reference traditional stained glass techniques and highlight the sense of movement in the design. The inner glass panels are painted with enamel lines, adding an extra dimension to the interplay of light and form.
In this way, the colors, lines, and techniques of the windows contribute to the symbolism of the church, space and enhance the spiritual experience.
2017
PROJECT FOR THE CHURCH OF SAINT JOSEPH, MORETUSBURG HOBOKEN, ANTWERP (BE)
NINE GLASS WINDOWS IN TWO LAYERS OF GLASS WITH SANDBLASTING ON THE OUTSIDE AND PAINTING WITH ENAMEL ON THE INSIDE.
WORKOUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: 3 TRIPTYCHS 50cm-500cm 2X
50cm-570cm 1X
For the design of the nine stained glass windows, I drew inspiration from the three existing windows in the choir of the church, which depict Mary, Joseph and God. The three windows on the west site of the church are rendered in various shades of green, a color that represents
Joseph, but also symbolizes growth and birth. This choice ties in with the presence of baptismal font on that side.
The stained green lines rise upwards, further emphasizing the theme of growth.
On the east side of the church, I used blue tones for the three windows, symbolizing Mary and the heavenly, here too, the dynamic lines enhance the theme, with the movement reflecting the heavenly nature.
At the entrance of the church, the three red windows symbolize the divine and eternal life.
Each window consists of two panels, the outer layer features sandblasting with clear lines left open.These lines, along with the lead strips, reference traditional stained glass techniques and highlight the sense of movement in the design. The inner glass panels are painted with enamel lines, adding an extra dimension to the interplay of light and form.
In this way, the colors, lines, and techniques of the windows contribute to the symbolism of the church, space and enhance the spiritual experience.
‘REPETITION’
2015
PROJECT FOR PRIVATE HOME
ANTWERP (BE)
FOUR STAINED GLASS WINDOWS IN ANTIQUES GLASS
WORK-OUT: STUDIO CHRISTINE VANOPPEN
DIMENSION: 50Cm-180cm 4X
These stained glass windows were designed for a private residence and consist of four different compositions in sliding panels.
By sliding the panels, a new composition is created each time, and the level of visibility from the outside changes.
The vertical lines emphasize the vertical movement.
2015
PROJECT FOR PRIVATE HOME
ANTWERP (BE)
FOUR STAINED GLASS WINDOWS IN ANTIQUES GLASS
WORK-OUT: STUDIO CHRISTINE VANOPPEN
DIMENSION: 50Cm-180cm 4X
These stained glass windows were designed for a private residence and consist of four different compositions in sliding panels.
By sliding the panels, a new composition is created each time, and the level of visibility from the outside changes.
The vertical lines emphasize the vertical movement.
‘RICORSO’
2014
PROJECT FOR THE CHURCH OF OUR LADY, BONHEIDEN (BE)
STAINED GLASS WINDOW IN ETCHED ANTIQUE GLASS WITH SEVERAL LAYERS OF PAINTING WITH SILVER STAIN AND ENAMEL
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: Br 2,50- H 5m
The stained glass window is located on the west facade of the church, where the sun sets, the flowing, ascending lines and interplay of colors symbolize earthly life that, through a whirlwind of red and orange movement, ultimately moves toward the higher realm-the endless blue expanse. The design holds a deeper meaning and invites contemplation and inner reflection.
2014
PROJECT FOR THE CHURCH OF OUR LADY, BONHEIDEN (BE)
STAINED GLASS WINDOW IN ETCHED ANTIQUE GLASS WITH SEVERAL LAYERS OF PAINTING WITH SILVER STAIN AND ENAMEL
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENSIONS: Br 2,50- H 5m
The stained glass window is located on the west facade of the church, where the sun sets, the flowing, ascending lines and interplay of colors symbolize earthly life that, through a whirlwind of red and orange movement, ultimately moves toward the higher realm-the endless blue expanse. The design holds a deeper meaning and invites contemplation and inner reflection.
‘THE PARK’
2014
PROJECT FOR RESIDENTIAL CARE HOME ‘MARIATROON’
DENDERMONDE (BE)
SCREEN PRINT, SANDBLASTING BETWEEN THERMOPANE GLASS
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENTIONS: H2.30M- BR22M
These stained glass windows were inspired by the park that once existed here.
The corridor with the glass wall connects the main entrance to the new part of the building.
The design is based on the structures of trees and nature, creating a connection between the residents and the outside world.
The various shades of green symbolize peace and nature.
2014
PROJECT FOR RESIDENTIAL CARE HOME ‘MARIATROON’
DENDERMONDE (BE)
SCREEN PRINT, SANDBLASTING BETWEEN THERMOPANE GLASS
WORK-OUT: STUDIO GLASMALEREI PETERS (DE)
DIMENTIONS: H2.30M- BR22M
These stained glass windows were inspired by the park that once existed here.
The corridor with the glass wall connects the main entrance to the new part of the building.
The design is based on the structures of trees and nature, creating a connection between the residents and the outside world.
The various shades of green symbolize peace and nature.
‘CONNECT’
2007
PROJECT FOR OCMW-CHAPEL
BOOM (BE)
STAINED GLASS WINDOW IN ANTIQUE GLASS
WORK-OUT: STUDIO CHRISTINE VANOPPEN (BE)
DIMENSIONS: H120cm-Br4m
This stained glass window was designed for a multifunctional space, inspired by the connection that brings people together.
The red color symbolized strength and energy.
2007
PROJECT FOR OCMW-CHAPEL
BOOM (BE)
STAINED GLASS WINDOW IN ANTIQUE GLASS
WORK-OUT: STUDIO CHRISTINE VANOPPEN (BE)
DIMENSIONS: H120cm-Br4m
This stained glass window was designed for a multifunctional space, inspired by the connection that brings people together.
The red color symbolized strength and energy.
‘INSITE-OUT’
1997
PROJECT FOR THE MEDITATION ROOM ‘MEDITATION AND SPIRITUAL CENTER’ ‘HOF ZEVENBERGEN’ RANST (BE)
FOURTEEN STAINED GLASS WINDOWS IN ANTIQUE GLASS
WORK-OUT: STUDIO CHRISTINE VANOPPEN (BE)
DIMENSIONS: Br50-H2,50 14X
The stained glass windows, composed mainly of green hues with touches of white and subtle red lines, symbolize the connection to the surrounding garden.
The design follows an upward movement, starting with an open, minimal composition that gradually transitions into a more closed form.
This progression reflects the contant growth and development of nature, always reaching toward the light. The red lines serve as vibrant, dynamic accents, highlighting the vitality and blossoming of life within creation, while the overall design exudes a sense of peace and harmony.
1997
PROJECT FOR THE MEDITATION ROOM ‘MEDITATION AND SPIRITUAL CENTER’ ‘HOF ZEVENBERGEN’ RANST (BE)
FOURTEEN STAINED GLASS WINDOWS IN ANTIQUE GLASS
WORK-OUT: STUDIO CHRISTINE VANOPPEN (BE)
DIMENSIONS: Br50-H2,50 14X
The stained glass windows, composed mainly of green hues with touches of white and subtle red lines, symbolize the connection to the surrounding garden.
The design follows an upward movement, starting with an open, minimal composition that gradually transitions into a more closed form.
This progression reflects the contant growth and development of nature, always reaching toward the light. The red lines serve as vibrant, dynamic accents, highlighting the vitality and blossoming of life within creation, while the overall design exudes a sense of peace and harmony.
'THE FOUR SEASONS'
1995
PROJECT FOR THE PRIVATE CHAPEL OF HUIZE SAINT-ANGELA, OLV-WAVER (BE)
FOUR STAINED GLASS WINDOWS IN ANTIQUE GLASS WITH ENAMEL PAINTING AND SANDBLASTING
WORK-OUT: STUDIO CHRISTINE VANOPPEN
DIMENTIONS: 4X H3M-BR2M
The four windows were given the titel ‘The four seasons’, what was also my main source of inspiration. I chose this because it symbolizes the cycle of life. It represents a continuous movement, where one phase flows into the next. I wanted to express this dynamic in the lines and
the use of color. The windows are interconnected, both visually and thematically, forming a harmonious whole.
The lines and colors alternate, just like the seasons do, inviting reflection and allowing one to experience the impermanence of life.
1995
PROJECT FOR THE PRIVATE CHAPEL OF HUIZE SAINT-ANGELA, OLV-WAVER (BE)
FOUR STAINED GLASS WINDOWS IN ANTIQUE GLASS WITH ENAMEL PAINTING AND SANDBLASTING
WORK-OUT: STUDIO CHRISTINE VANOPPEN
DIMENTIONS: 4X H3M-BR2M
The four windows were given the titel ‘The four seasons’, what was also my main source of inspiration. I chose this because it symbolizes the cycle of life. It represents a continuous movement, where one phase flows into the next. I wanted to express this dynamic in the lines and
the use of color. The windows are interconnected, both visually and thematically, forming a harmonious whole.
The lines and colors alternate, just like the seasons do, inviting reflection and allowing one to experience the impermanence of life.
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